Kunstraum exhibitions

I Like My Job Five

SOMA (Plus TRBE Recordings)
21 - 27 September, 2020

Binnie Sisters: The Muddy Clearing
Reopening July 3 - August 1

Julie Béna: The Jester & Death
January 10 - February 15

Dangerous Bodies: Barbara Kapusta
12 October - 16 November
(PV 11 October 6:30 – 9pm)

To Ailsa Rock
Beatrice Loft Schulz and Lindsay McMillan
14 June – 28 July

Something soft: Julie Béna, Susie Green, Deniz Ünal & Zoe Williams
13 April – 25 May (PV 12 April, 6.30–9pm)

Nils Alix-Tabeling
Le Bétyle d’Ail
19 January – 22 February 2019

Anna Hulačová
Graceful ride
29 Sept – 24 Nov 2018

Shelly Nadashi
The Avocado Vampire
26 April – 9 June 2018

Mary Hurrell
2 (Aerial)
9 March – 14 April 2018

Von Calhau!
12 January - 10 February 2018

Merike Estna
fragments from the shattered toe
29 September – 25 November 2017

Jennifer Tee
Structures of Recollection and Perseverance
1 July – 9 September 2017

Sophie Jung
Producing My Credentials
14 April – 27 May 2017

Olivier Castel
Communicating vessels
25 November 2016 - 11 February 2017

9 September – 5 November 2016

Jumana Emil Abboud
Haunted Springs and Water Demons in Palestine
14 May – 30 July 2016

Dorine van Meel
Disobedient Children
23 October – 19 December 2015

New Pabulum
Aline Bouvy and Simon Davenport
6 September - 10 October 2015

Alex Cecchetti
The printing house of hell
27 June - 22 August 2015

Barbara Visser
Manual/2: The Patient Artist
25 April – 13 June 2015

Unlearning to speak
Tyler Coburn, Luca Frei, Joachim Koester, Jacopo Miliani
28 February - 11 April 2015

Nicoline van Harskamp
25 October - 13 December 2014

Zin Taylor
The Tangental Zigzag
14 June – 26 July 2014

Eva Fàbregas & Andrew Lacon
Curated by Thomas Cuckle and Mette Kjærgaard Præst
26 April – 31 May 2014

Flirting, playing, eating, drinking, talking, laughing
with Søren Aagaard, Magnus Clausen, Robert Kjær Clausen, Simon Foxall, Steffen Jørgensen, Peter Larsen, Jørgen Michaelsen, Allan Nicolaisen, Carl Palm, Fredrik Paulsen, Anna Margrethe Pedersen, Merete Vyff Slyngborg and Ditte Boen Soria
Curated by Mette Kjærgaard Præst and Mette Woller
22 February – 5 April 2014

An Opal World
Rossella Biscotti, Priscila Fernandes, Jan Peter Hammer, Alberto De Michele
25 October — 30 November 2013

Late Nights & Early Mornings
Willem Besselink, Jacob Dahlgren, Edward Clydesdale Thomson, Florian & Michael Quistrebert, Relief Journal
21 June — 29 September 2013

Miles Thurlow
Variable Foot
20 April — 1 June 2013

Peter Wächtler
Celtic Dawn
22 February — 6 April 2013

Definitional Disruptions
with Nel Aerts, Filip Gilissen and Hedwig Houben
1 December 2012 — 2 February 2013

Jason Coburn
x ways to improve your y
28 September — 17 November 2012

View all


Definitional Disruptions
with Nel Aerts, Filip Gilissen and Hedwig Houben
1 December 2012 — 2 February 2013

In his seminal sociological work, ‘The Presentation of Self in Everyday Life’, Erving Goffman describes social interaction revolving around a gathering consensus on the definition of a given situation. Definitional disruptions are the moments, much feared by some or eagerly anticipated by others, which rock the whole boat and throw the nature of a social situation into doubt. The works by Nel Aerts, Filip Gilissen and Hedwig Houben in Definitional Disruptions place interruptions into the established relationships between artist and the works they author, clouding their assumed intention towards a notional audience.

Hedwig Hoeben’s ‘Personal Matters and Matters Of Fact’ (2011) imagines a conversation between the artist and two of the objects she has created. When Hoeben has to admit that she is not sure quite why she has made them, one of the objects – an angular Rietveld chair – chastises her for not thinking it through before she started. The second object – a self- portrait – is less concerned with why she was made than with how accurate a likeness she is. Where it could be assumed that the artist boldly produces and sends objects out into the world, Hoeben envisions an extended moment of self-doubt in which the production of objects only draws the artist further into uncertainty.

Filip Gilissen’s ‘The Only Way is Up’ (2011), documents a performance at the Royal Museum of Fine Arts in Antwerp where a character modeled on a charismatic salesman or televangelist voices a repetitive monologue with the refrain “It’s all down hill from here!”. Theories of the artist’s relationship to their audience assume that the performer has an intention to evoke a particular emotional, aesthetic or intellectual response. But while this gold-suited figure is claiming to have something to impart, to make a specific statement, when the statement comes it is ambiguous and not at all what it was made out to be.

In Nel Aerts’ paintings the artist takes self-representation as a subject in itself – a number of cartoon like characters re-occur who seem to represent states of mind, statements of resistance or emotional dispositions. ‘Zielzoekerij’ (2012) (soul seeker) is a double portrait, rendered as a singular entity, in which two faces stare placidly at one another while their loosely rendered trunks or chimney’s intertwine above their heads. The work creates a slightly disturbing picture of an individual, whose double nature is intimately connected but yet strangely detached. Aerts’ painting style seems to embody the same clumsy characterization; it is almost as if the paintings are self-portraits rendered by the half-formed characters they depict.

Both ideas of the artist’s relation to their works, and to their audience are tied up with a mythology of the artist, and the conception of the artist’s “practice” as a thing in itself, independent of the artists as an individual. Definitional Disruptions investigates the potential of the artist’s own persona as a tool for disruption, and how the mythology of the artist figure can be embodied, effaced or laid bare as a means of production.


about the artists:

Nel Aerts (1987), lives and works in Antwerp (BE). Nel Aerts uses drawings, collages, photographs, (film documented) performances, artist’s books, poetry and songs, to create an organic oeuvre that can be considered as a true total art work. Recent exhibitions include: Dances around the hourglass, Galerie VidalCuglietta, Brussels (BE), 2012; Un-Scene II (group show), curated by Elena Filipovic and Anne-Claire Schmitz, Wiels, Brussels (BE), 2012; and Art’s Birthday (group show), Muhka, Antwerp (BE), 2011. Nel Aerts’ works are presented courtesy Galerie VidalCuglietta, Brussels.

Filip Gillisen (1980), lives and works in Brussels (BE). Using the language of commerce, marketing and media representation, Gilissen gives a diabolic comment on the more cynical aspects of globalization and consumer driven politics. Gilissen’s work has been presented in venues such as MARTA Museum, Herford (DE), 2012; Kunshalle Nurnberg (DE), 2012; Liste 17 Performance Project, BASEL (CH), 2012; Witte De With, Rotterdam (NL), 2011; Nuit Blanche, Paris (FR), 2011; MuHKA, Antwerp (BE), 2011; Museum Boymans Van Beuningen, Rotterdam (NL), 2011; Liverpool Biennial (UK), 2010; and Museum of Fine Art, Boston (US), 2007.

Hedwig Houben (1983), lives and works in Brussels (BE). Recent exhibitions include: Five Possible Lectures on Six Possibilities for a Sculpture, /P/AKT, Amsterdam (NL), 2012; Personal Matters and Matters Of Fact, Playstation at Fons Welters Gallery, Amsterdam (NL), 2012; Out of Controle, (group exhibition) Nest, The Hague (NL), 2012; Comique Géométrique, (group exhibition), La Salle de Bains, Lyon (FR), 2011; and Making is Thinking (group exhibition), Witte de With, Rotterdam (NL), 2011.


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