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Kunstraum Live

PERFORMANCE:
Deniz Ünal: Characters of Control
Saturday 6 April, 7pm

FILM SCREENING:
You Are Good
Saturday 16 March 2019, 7–9pm

BOOK LAUNCH AND SCREENING:
Allusion to a body no longer present
Thursday 7 March 2019, 7–9pm

IN PLATO'S ANUS | GIORGIO SADOTTI
Thursday 28 February 2019, 6–9pm

Rainer Ganahl
Comme des Marxists
8 Dec 2018

Life/Forms 2.0: 'Königin der Nacht’
a performance by Johannes Büttner and Bastian Hagedorn
2 September 2018

Tyler Eash and Sara Rodrigues
Allusion to a body no longer present
2 June 2018

Mary Hurrell
2 (Aerial) – Performance
24 March 2018, 7pm

Charismatic Megafauna
in fragments from the shattered toe 4 November 2017

Performances For Pets
Krõõt Juurak & Alex Bailey
in fragments from the shattered toe
Talk for humans - Saturday 21 October 2017, 5pm
Performances for dogs - Sunday 22 October 2017

Maria Metsalu
in fragments from the shattered toe
25 November 2017

Kunstraum
FIVE YEARS PARTY
Saturday 7 October 2017

Jeremiah Day
THE CHAIR REMAINS EMPTY / BUT THE PLACE IS SET
31 May 2017

Johnston Sheard & Nils Alix-Tabeling
How Can You Love Me Knowing That I Could Never Love You? (Part One)
17 June 2017

Beth Collar & Hannah Still
Brainstem Thinking
10 June 2017

Performing Objects
Isabelle Cornaro, Benedict Drew, Anna Franceschini, Iain Hamilton Grant, Rebecca Lennon, Maria Walsh and Zoe Williams
3 June – 4 June 2017

Fiona James
GUTLESS SPEECH (and other impossible thoughts)
11 August 2016

Fay Nicolson
OVER AND OVER PURE FORM
5 August 2016

Morphologies live programme
13 September, 20 September, 27 September, 4 October 2014
Alex Cecchetti, Lucy Clout, Fiona James, Sabel Gavaldon, Gudrun Hasle, Frances Loeffler, Henning Lundkvist, Karen Mirza and Brad Butler, Lorena Muñoz-Alonso, Gro Sarauw, Vladimir Tomić, Werker Magazine
Curated by Mette Kjærgaard Præst

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Jeremiah Day
THE CHAIR REMAINS EMPTY / BUT THE PLACE IS SET
31 May 2017


Performance at Kunstraum as part of EVEN DUST CAN BURST INTO FLAMES at ARCADE. The performance emerged from a long period of research into the work of Hannah Arendt and in particular her widely ignored affirmative argument for council democracy, revealed best in the work of Fred Dewey. The performance is made with the musical support of Day’s long time accompanist Bart de Kroon, with slide shows depicting key sites of Istanbul and New England.