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Exhibitions

Julie Béna

Julie Béna: The Jester & Death
January 10 - February 15

  Nils Alix-Tabeling
Le Bétyle d’Ail
19 January – 22 February 2019

  Anna Hulačová
Graceful ride
29 Sept – 24 Nov 2018

  Shelly Nadashi
The Avocado Vampire
26 April – 9 June 2018

  Mary Hurrell
2 (Aerial)
9 March – 14 April 2018

  Von Calhau!
PHANTOM BLOT BACK TO ATTACK / MANCHA NEGRA VOLTA A ATACAR
12 January - 10 February 2018

  Merike Estna
fragments from the shattered toe
29 September – 25 November 2017

  Jennifer Tee
Structures of Recollection and Perseverance
1 July – 9 September 2017

  Sophie Jung
Producing My Credentials
14 April – 27 May 2017

  Olivier Castel
Communicating vessels
25 November 2016 - 11 February 2017

  Vanitè
9 September – 5 November 2016

  Jumana Emil Abboud
Haunted Springs and Water Demons in Palestine
14 May – 30 July 2016

  Dorine van Meel
Disobedient Children
23 October – 19 December 2015

  New Pabulum
Aline Bouvy and Simon Davenport
6 September - 10 October 2015

  Alex Cecchetti
The printing house of hell
27 June - 22 August 2015

  Barbara Visser
Manual/2: The Patient Artist
25 April – 13 June 2015

  Unlearning to speak
Tyler Coburn, Luca Frei, Joachim Koester, Jacopo Miliani
28 February - 11 April 2015

  Nicoline van Harskamp
25 October - 13 December 2014

  Zin Taylor
The Tangental Zigzag
14 June – 26 July 2014

  
Eva Fàbregas & Andrew Lacon
Curated by Thomas Cuckle and Mette Kjærgaard Præst
26 April – 31 May 2014

  Flirting, playing, eating, drinking, talking, laughing
with Søren Aagaard, Magnus Clausen, Robert Kjær Clausen, Simon Foxall, Steffen Jørgensen, Peter Larsen, Jørgen Michaelsen, Allan Nicolaisen, Carl Palm, Fredrik Paulsen, Anna Margrethe Pedersen, Merete Vyff Slyngborg and Ditte Boen Soria
Curated by Mette Kjærgaard Præst and Mette Woller
22 February – 5 April 2014

  
An Opal World
Rossella Biscotti, Priscila Fernandes, Jan Peter Hammer, Alberto De Michele
25 October — 30 November 2013

  

Late Nights & Early Mornings
Willem Besselink, Jacob Dahlgren, Edward Clydesdale Thomson, Florian & Michael Quistrebert, Relief Journal
21 June — 29 September 2013

  
Peter Wächtler
Celtic Dawn
22 February — 6 April 2013

  
Jason Coburn
x ways to improve your y
28 September — 17 November 2012

View all past exhibitions

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Merike Estna's solo-exhibition at Kunstraum incorporates an intricately painted stage/floor painting which, over the course of the exhibition, hosts a series of performance events from international dancers, musicians and artist, against a backdrop of Estna’s large-scale curtain painting and other new works. In her practice Estna seeks for the conceptual integration of painting and daily life, often inscribing the languages, processes and applications of painting onto scenic design and stage-setups. Estna embeds patterns and colour combinations derived from applied arts vocabularies – which haven't traditionally been accepted in the discourse of painting – juxtaposed with what have become familiar motifs of digital communication. Estna's work challenges the masculine territory of painting and questions the strict visual separation between painting and craft discourses. The works are often activated by visitors or gallery staff: as drinks or cakes served, as clothing or hand towels. Her installations become a meeting point for exchange between visitors and the often unstable qualities of painting. Produced in partnership with: Lithuanian Culture Institute; Estonian Contemporary Art Development Center; and Temnikova & Kasela, Talinn. Supported using public funding by Arts Council England; Cockayne – Grants for the Arts; The London Community Foundation; Republic of Estonia Ministry of Culture and Eesti Kultuurkapital.
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Merike Estna's solo-exhibition at Kunstraum incorporates an intricately painted stage/floor painting which, over the course of the exhibition, hosts a series of performance events from international dancers, musicians and artist, against a backdrop of Estna’s large-scale curtain painting and other new works. In her practice Estna seeks for the conceptual integration of painting and daily life, often inscribing the languages, processes and applications of painting onto scenic design and stage-setups. Estna embeds patterns and colour combinations derived from applied arts vocabularies – which haven't traditionally been accepted in the discourse of painting – juxtaposed with what have become familiar motifs of digital communication. Estna's work challenges the masculine territory of painting and questions the strict visual separation between painting and craft discourses. The works are often activated by visitors or gallery staff: as drinks or cakes served, as clothing or hand towels. Her installations become a meeting point for exchange between visitors and the often unstable qualities of painting. Produced in partnership with: Lithuanian Culture Institute; Estonian Contemporary Art Development Center; and Temnikova & Kasela, Talinn. Supported using public funding by Arts Council england; Cockayne – Grants for the Arts; The London Community Foundation; Republic of Estonia Ministry of Culture and Eesti Kultuurkapital.